A Conversation with Silvia Prada

Silvia Prada lying on white bedding in a fluffy grey jumper with a black brushstroke motif

In our latest FRANK conversation we were excited to sit down with Spanish-born New York–based artist Silvia Prada, known for her iconic collages and drawings documenting pop culture (whilst also contributing to a number of cult magazines). Silvia spoke of her fascination with the private worlds of 70s and 80s pop stars; her belief in the art of “desire over design”; and the hedonistic undercurrent that lingers in her work.


Console with a hand-lettered lampshade, framed cowboy collages and a Picasso plate on panelled walls

 

Is there a particular era or place you wish you could have worked in?

I love this question. Probably the private residence of any 70s or 80s pop star. The White House during its more glamorous eras. Madonna’s first apartment in the Harperley Hall building on Central Park West. And any papal apartment in the Vatican.


Yellow framed collage of two shirtless men above painted ceramic vessels on a marble-topped chest

 

What’s an unusual source of inspiration that has found its way into your work?

I often find inspiration in objects and spaces untouched by design influence—places that feel unedited. I call it “desire over design.” You can only really find art in the absence of it.

 

Cowboy collage lettered Picasso above a lamp with a hand-drawn shade on a mahogany chest

 

Share a song that you listen to when feeling creatively challenged?

This is a difficult question, as my work is deeply connected to music and curation. At the moment, I’m listening to Higher State of Consciousness – Deep & Slow Chill by Josh Wink.

 

Black collage with cut-out cowboys above a wooden chair, a bronze figure and a lamp with a drawn shade

 

What's the ghost in your work—the thing that lingers but isn’t obvious?

Hedonism.

 

Framed collages titled Picasso above a walnut chest of drawers with white peonies in a painted vase

 

What’s the question you wish people would ask about your work but never do?

I’ve been asked many questions; I don’t feel like anything essential is missing.

 

Floor lamp with a painted shade beside a black chair with a painted seat against a red backdrop

 

What is your favourite piece from the Lemon collection, and why?

The Athens Stool. It’s a very powerful piece that embodies “less is more".

 

Four Athens Stools in solid iroko seen from above on a cream shaggy wool rug in soft light

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